‘Marty McFly, a 17-year-old high school student, is accidentally sent thirty years into the past in a time-traveling DeLorean invented by his close friend, the eccentric scientist Doc Brown’.
Contact free and social distance friendly with additional measures put in place for a safe event experience, following all government guidelines.
*Bring your own food & drink. Don’t forget the popcorn!
*No food & drink available on-site to minimise contact.
*Built-in social distancing from the comfort and safety of your car.
*On-site toilets available.
Please note that large cars such as SUV’s and people carriers are allowed, but may be positioned towards the back to allow other customers better viewing. *Vans are not permitted.
‘In Gotham City, mentally troubled comedian Arthur Fleck is disregarded and mistreated by society. He then embarks on a downward spiral of revolution and bloody crime. This path brings him face-to-face with his alter-ego: the Joker’
Contact free and social distance friendly with additional measures put in place for a safe event experience, following all government guidelines.
*Bring your own food & drink. Don’t forget the popcorn!
*No food & drink available on-site to minimise contact.
*Built-in social distancing from the comfort and safety of your car.
*On-site toilets available.
Please note that large cars such as SUV’s and people carriers are allowed, but may be positioned towards the back to allow other customers better viewing. *Vans are not permitted.
‘A chronicle of country music legend Johnny Cash’s life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis, and Carl Perkins’.
Contact free and social distance friendly with additional measures put in place for a safe event experience, following all government guidelines.
*Bring your own food & drink. Don’t forget the popcorn!
*No food & drink available on-site to minimise contact.
*Built-in social distancing from the comfort and safety of your car.
*On-site toilets available.
Please note that large cars such as SUV’s and people carriers are allowed, but may be positioned towards the back to allow other customers better viewing. *Vans are not permitted.
‘A lion cub prince is tricked by a treacherous uncle into thinking he caused his father’s death and flees into exile in despair, only to later accept in adulthood his identity and his responsibilities’.
Contact free and social distance friendly with additional measures put in place for a safe event experience, following all government guidelines.
*Bring your own food & drink. Don’t forget the popcorn!
*No food & drink available on-site to minimise contact.
*Built-in social distancing from the comfort and safety of your car.
*On-site toilets available.
Please note that large cars such as SUV’s and people carriers are allowed, but may be positioned towards the back to allow other customers better viewing. *Vans are not permitted.
‘Ferris Bueller, a high school wise guy, fakes sickness to stay at home and spends the rest of the day with his best friend and girlfriend. Meanwhile, his dean is trying to spy on him.
Contact free and social distance friendly with additional measures put in place for a safe event experience, following all government guidelines.
*Bring your own food & drink. Don’t forget the popcorn!
*No food & drink available on-site to minimise contact.
*Built-in social distancing from the comfort and safety of your car.
*On-site toilets available.
Please note that large cars such as SUV’s and people carriers are allowed, but may be positioned towards the back to allow other customers better viewing. *Vans are not permitted.
Batman’s arch-enemy, The Joker, was inspired by this darkly romantic silent movie masterpiece. Based on the novel by Victor Hugo (Les Miserables, Hunchback of Notre Dame), THE MAN WHO LAUGHS tells the story of Gwynplaine, a nobleman’s son who is kidnapped and orphaned by a wicked king, who carves a permanent, monstrous smile upon his face. Finding shelter in a travelling carnival, Gwynplaine falls in love with a blind girl – the one person who cannot be repulsed by his appearance.
Part swashbuckler, part expressionist horror, THE MAN WHO LAUGHS is a sweeping, spectacular adventure and one of silent Hollywood’s rarely screened classics.
With live piano accompaniment by Jonny Best
Alice is a plant breeder who has engineered a very special crimson flower, remarkable for its therapeutic value: this plant makes its owner happy. Alice takes one home as a gift for her teenage son, Joe, but her creation may not be as benign as she thinks.
Little Joe takes an unorthodox approach to a thorny and difficult theme, but like its title character, the end result exerts a creepy thrall.
Due to the ongoing situation with COVID-19, this event will be cancelled until further notice.
The Parks are a picture of aspirational wealth; the Kims are rich in smarts but not much else. By chance, they are brought together and the Kims sense a golden opportunity as a symbiotic relationship forms between the families. When an interloper threatens the Kims’ newfound comfort, a savage battle for dominance breaks out.
An urgent, brilliantly layered look at timely social themes, Parasite finds writer-director Bong Joon Ho in total command of his craft.
While on a first date together, a black man and woman are pulled over for a minor traffic infraction. The situation escalates, and the man kills the police officer in self-defence. The couple are forced to go on the run, but a video of the incident makes them a national symbol of trauma, terror, grief and pain.
A timely, stylish, provocative and powerful fugitive story.
In the late 1800s, two lighthouse keepers find their sanity challenged by storms, strange visions of mermaids, vengeful seagulls, and too much alcohol. As the storms get worse and the ferry due to relieve them fails to appear, the men’s grip on reality steadily unravels.
A gripping story brilliantly filmed and led by two powerhouse performances, The Lighthouse further establishes Robert Eggers as a filmmaker of exceptional talent.
Featuring an astonishing ensemble of award-winning actors and breakouts alike, Waves traces the epic emotional journey of a suburban African-American family—led by a well-intentioned but domineering father—as they navigate love, forgiveness and coming together in the aftermath of a loss.
WAVES is a heartrending story about the universal capacity for compassion and growth even in the darkest of times.
Luo Hongwu returns to Kaili, the hometown from which he fled 12 years earlier. As memories of an enigmatic and beautiful woman resurface – a woman he loved and whom he has never been able to forget – Luo Hongwu begins his search for her.
Past and present, reality and dream interweave in Bi Gan’s stunningly beautiful and highly innovative film noir, featuring an incredible 3D finale
SO LONG, MY SON traces the lives of two families over three decades of social, political and human upheaval in China. Following the loss of a child in a tragic accident, their paths separate. Yet even as their lives diverge, a common search for truth and reconciliation around the tragedy remains.
Intimate in focus yet epic in size and scope, SO LONG, MY SON sets a heartbreaking saga of family tragedy against the changing face of modern China.
Based on his own experiences, Shia LaBeouf’s script tells of a young actor’s stormy childhood and early adult years as he struggles to reconcile with his father through cinema and dreams, fictionalising his childhood ascent to stardom, and crash-landing into rehab. LaBeouf takes on the daring and therapeutic challenge of playing a version of his own father.
Har’el’s feature narrative debut is a one-of-a-kind collaboration between filmmaker and subject, exploring art as therapy and imagination as hope.
In 1820s Australia, a young convict suffers a terrible crime at the hands of her abusive master. To seek revenge, she enlists the help of an Aboriginal tracker, a man dealing with his own traumas. Their journey leads them deep into the wilderness, where they must learn to trust each other.
Writer / Director Jennifer Kent (The Babadook) taps into a rich vein of palpable rage to tell a war story that leaves a bruising impact as it targets toxic masculinity and the legacy of colonialism
